Working with the BBC Panorama team we plotted at least 177 Syrian Chemical attacks on our map sequences; subdividing them into years, land or air attacks, different poisons and those corroborated by more than one official source. The end result was projected onto a large studio screen for pieces to camera. This was a joint BBC Panorama & BBC Arabic programme and therefore all the graphics were also supplied with their Arabic translations.
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Dispatches looks into the alarming stats that suggest the under-resourced Police forces across England and Wales are refusing to investigate certain crimes. Directed and Produced by Claire Burnett for ITN Productions. We built a large map of all the police force boundaries in the UK and designed various icons to represent each crime.
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This investigation looks at the more recent upsurge in attacks on the Muslim communities in the US, most importantly since the election of Donald Trump.
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Smart devices and the latest technological gadgets give us remote control of our homes and our cars – but how safe are they? Reporter Fiona Phillips investigates… To help highlight the nature of the smart homes vulnerabilities we built a model of the owners house and textured it so it appeared as a normal flat illustration. We could populate the rooms with animated characters and numerous smart devices all transmitting data awaiting capture from the hacker. Directed and Produced by Christopher Hardy for Hardcash Productions.
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Over 18 months of investigations, Medioto worked with Aljazeera’s Investigative Unit and helped reveal how criminal gangs bribe players and officials to fix matches and parts of matches – and make millions from betting on guaranteed outcomes. The initial inspiration for the designs came from Bollywood posters and obviously some of the title text echo the old fashioned scoreboards on the cricket ground. Apart from the obvious title-card, we built profile animations, explainers for the uninitiated cricket fans, test match chapter headings, phone call animations, document/newspaper sequences and the players and authorities ‘right of reply’. There’s a montage below and
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This film plots BP’s move towards more natural gas production in the future. Apparently there’s lower carbon produced from burning gas rather than oil & coal. Directed by Ewan Taylor and animated by Chris Weyman Jones & Paul Trainor picking up the slack.
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A department treating sick children within Great Ormand Street Hospital has been found mis-diagosing & over treating patients. This documentary from ‘Amazing Productions’ uses our animated explainers to demonstrate how Eosinophilic Gastrointestinal Disease (EGID) is diagnosed and the scale of the problem and number of patients treated by GOSH leading to the closure of this departments. The child-like drawn characters were animated by a traditional hand-drawn method which not only provides the context but also provides charm and warmth to lift the analytical nature of this investigation.
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Using styling borrowed from agitprop posters from Soviet Russia, Medioto helped Aljazeera’s Investigative Unit unravel a plot hatched by powerful Eastern European oligarchs to make millions of dollars from a crooked deal involving a web of offshore companies and international lawyers to raid US$160 million dollars under the noses of the authorities. The Oligarchs include an exiled gas billionaire guarded by Russian special forces, a Moscow property magnate and an Olympic show jumper on the run from Ukrainian authorities. Throughout these deliberately murky, opaque dealings our motion graphics hopefully simpilfy the processes involved in money laundering and the formation of
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This is a title sequence we produced for Ben Uttley at Stamp Productions for his behind the scenes documentary following the preparation for the task of beating the All Blacks on their home turf and the ups and downs of the whole New Zealand tour. The titles were created with a multitude of subtle techniques from camera tracking, rotoscoping to careful blending of textures and clever transitions.
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The inside story of how and why the worst Ebola outbreak in history wasn’t stopped before it was too late. The map sequences here really help explain how the virus spread so quickly by tracking the location of it’s first victims or carriers and our shaded motiongraphics using ink bleeds increase a sense of this hidden disease spreading into different regions of West Africa. Directed by Dan Edge & Produced by Sasha Achilli.
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Will Ai take my job? Well probably, but its the results of a survey that Channel 4 dispatches commissioned that we were asked to illustrate....
A mixture of quirky stop frame animations and technical social media graphics help illustrate the findings from this BBC Global Eye investigation in M...
Motion graphics for feature length documentary showing evidence of war crimes in Gaza using IDF social media posts....
Using historic air photos and new exploration technology and our graphics this documentary takes a look at the first defining act of the greatest crim...
Out with the old metallic globe and in with a simpler & more versatile look for the Big BBC Brand....
Dispatches investigate the state of the UK car market in late 2022 with rocketing prices and rocketing profits for manufacturers and dealers....
An investor with £250m to spend on a football club brings the big guns to the table and Christopher Samuelson was a big player.
