Dispatches go undercover to investigate the loopholes in the granting of UK ‘Golden Visas’ & passports to wealthy buyers. We decided to go for a bit of fun with CGI characters this time.
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Archives for RECENT
Marie Stopes – Explainer Films
A collaboration with Inspired films – who were commissioned by global healthcare charity Marie Stopes International to create a series of educational animation resources for their social workers in 38 countries. Translated into multiple languages, these short animations are designed to educate communities about fertility and various forms of contraception available, often directed at sub-literate audiences.
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The Riviera Maya Gang: Cash, Crime, Killing
This one takes some beating, in terms of the audacity of the scam. A large scale plan to skim the credit card details from tourists by planting the skimmers inside the ATM’s and then supplying the machines to tourist hotels and banks. This investigation led by Will Jordan from the OCCRP (Organised Crime and Corruption Reporting Project) tells the tale, and our motion graphics (paying homage to Grand Theft Auto, perhaps) lends some interesting styling and animation to the mix. Here’s a link to the full film on youtube: https://www.youtube.com/watch?v=O9jf-RtpPXM
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Dispatches – How safe are your Medicines?
Lots of #motiongraphics in this documentary where Dispatches reveals how thousands of stolen & therefore unsafe medicines were given to NHS patients being treated for illnesses like prostate cancer, schizophrenia and epilepsy. A full team effort involved in this one with the extra help from Brett Lewis. Produced by Joanna Burge for Ti-Media Productions.
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The Blitz: Britain on Fire
The Blitz: Britain on Fire for C5 retells the horror of the May Blitz of Liverpool in 1941, when the Luftwaffe returned to the skies of the city night after night to drop tons of explosives and incendiary bombs. The series looks at the stories of some of the city’s inhabitants over this period and our job was to provide some local geography connecting the Liverpool streets to these people. By piecing together original maps from the late 30’s we were able to create a three dimensional environment where we could pin individuals to the streets whilst in the skies
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Aljazeera Investigates – How To Sell A Massacre
After a three-year sting, Medioto worked with Al Jazeera’s Investigative Unit to help reveal how Australia’s right wing, ‘One Nation’ party goes in search of funding from the US gun lobby in return for helping relax Australian strict gun laws. Secret filming also unveils the tricks & techniques, the National Rifle Association uses to handles public opinion and smear the victims after deadly gun attacks. Here’s a link to the main “How To Sell A Massacre “ film on Youtube but for a taster sample of our graphics, have a look below.
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Dispatches – Britain’s Knife Crisis
Subtitled, ‘Young, Armed & Dangerous’, this programme followed former MET Comissioner Bernard Hogan-Howe as he investigated the alarming rise in knife crime. Maya applied some interesting camera angles to project the real statistics in the sky above an urban landscape whilst ink splashes aggressively eat into the concrete buildings. Joanna Burge directed for an ITN Production.
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The Secret Lives of Slim People
We were asked to produce an animated title and bumpers for Channel 4’s series “The Secret Lives of Slim People.” Some people stay slim despite never dieting or exercising. This ITN production follows two slim people over five days, unpicking their every move and morsel to find out what determines their size. GFX designed and animated by Andrew Whittle under the direction of Paul Trainor and Toni Marshall.
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Dunlop – Journey for Perfection
This Dunlop film featuring Kevin Anderson was directed by Tim Frewer of Light Shop Films for Studio Tangerine. Motion graphics were tracked and animated by Andrew Whittle. GFX directed by Paul. All produced by Patrick Rowe.
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Big Ben – Countdown to New Year
This is Year 2 of our contract to help ITN Productions show the extent and the detailing of the Big Ben clean-up & repair. Again Paul Trainor directs the CGI and Brett Lewis provides the modelling expertise.
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