Archives for Commercial, Corporate & Charity films

Discovering a hidden book collection – Layton’s Library

We’ve produced a short taster film and rebuilt the thomaslayton.org.uk website to introduce people to the treasures collected by Thomas Layton, a Brentford Victorian collector of archeology, ethnography, books & prints. Layton left his collection for the enjoyment and education of the people of Brentford & Hounslow, and this film highlights parts of the book collection and members of the Trust inform us about the particulars which make the collection so special. Short depth of field lenses and macro photography helps communicate the textures of the page whilst additional motion graphics are sparingly used to allude to the scale of
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Unreported World – Titles & Branding

Channel 4’s Hugo Ward commissioned us to rebrand the channel’s flagship documentary strand ‘Unreported World’. We thought we would create a series of silhouetted figures inhabiting a diverse landscape which would attempt to suggest that the programmes were concentrating on the normally faceless figures which the news often bypasses or certainly has less time for. See below.
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Coca Cola Pac Conference 2014

We’ve provided all the elements for Coca-Cola’s conference opening film.  From quirky animated characters to an environment around the circumference of a classic coke bottle; all providing the holding device for CC to celebrate their achievements during the year. [/vc_row]
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Rolex Minute

We have created the new branded idents for Rolex’s sporting roundups from their five featured sports; Motor racing, Tennis, Yachting, Golf & Equestrian sports. The idents feature animated abstract patterns based on a Rolex watch face, as well as sporting pictogram designs. Everything is overlaid on key moments from recent tournaments. Original design by Manuel Succi at Medioto. Commissioned by Evoke Films.
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Spires – Streetlink

This is one of our firm favourites, being that we had a recorded interview with a street-worker and not much more to work with, as the subject needed her anonymity.  We did have, however, the expert guidance and trust of Minamon Films. Great work from Lucie Julliat.
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Grocery Aid

Here’s our latest Grocery Aid animation. Several little scenes tell stories of the many people helped by the charity. The tone of the animation plays with sensitive subject matter such as sudden illnesses, money worries and caring responsibilities which grocery workers might encounter over their lifetime. The animation was produced by Minamon Film.
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Will Britain ever have a Black PM?

This documentary was part of the Black & British season. We worked with the director Steve Grandison to illustrate the near impossibility of a black British infant growing up and becoming our Prime Minister via some quite shocking statistics blocking any advancement. There were eight stand alone animated films produced covering everything from poverty, education, employment and the world of politics.
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Britain’s Modern Slave Trade – An AlJazeera Investigation

In a new programme ‘Al Jazeera Investigates’ examine ‘modern slavery’ in the UK. To accompany the programme we also produced an online explainer which attempts to shed some light on the whole process of getting into Britain illegally and the grim prospects that await some migrants. The explainer and full documentary film is presented by David Harrison. The full film can be viewed on YouTube here Al Jazeera Investigates – Britain’s Modern Slave Trade. The Online Explainer is below.
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Beef Jerky

This is how Meat Snacks Group make Beef Jerky in their factory in Scotland. Superbly animated by our own Lucie Julliat with a little from the rest of the team. This is an NRG Digital production produced by Rob Edmonds.
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Exeter Cathedral

We’ve just been nominated for a BAFTA award as part of the NRG Digital team for this production celebrating the history and grandeur that is Exeter Cathedral. Following up on the success of our Westminster Abbey film, the same team returns to switch our attention to Exeter. Script written and presented by Andrew Chater; produced and directed by Rob Edmonds at NRG and graphics and visual effects by Medioto, of course.
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