This is a title sequence we produced for Ben Uttley at Stamp Productions for his behind the scenes documentary following the preparation for the task of beating the All Blacks on their home turf and the ups and downs of the whole New Zealand tour. The titles were created with a multitude of subtle techniques from camera tracking, rotoscoping to careful blending of textures and clever transitions.
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The inside story of how and why the worst Ebola outbreak in history wasn’t stopped before it was too late. The map sequences here really help explain how the virus spread so quickly by tracking the location of it’s first victims or carriers and our shaded motiongraphics using ink bleeds increase a sense of this hidden disease spreading into different regions of West Africa. Directed by Dan Edge & Produced by Sasha Achilli.
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This Dunlop film was directed by Tim Frewer of Light Shop Films for Studio Tangerine. Motion graphics were tracked and animated by Andrew Whittle. GFX directed by Paul. All produced by Patrick Rowe.
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This UNICEF animation interprets a stark new report on the timebomb that is the imminent population explosion in Africa in the next 12 years.
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We’ve produced a short taster film and rebuilt the thomaslayton.org.uk website to introduce people to the treasures collected by Thomas Layton, a Brentford Victorian collector of archeology, ethnography, books & prints. Layton left his collection for the enjoyment and education of the people of Brentford & Hounslow, and this film highlights parts of the book collection and members of the Trust inform us about the particulars which make the collection so special. Short depth of field lenses and macro photography helps communicate the textures of the page whilst additional motion graphics are sparingly used to allude to the scale of
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We helped the Washington based Al Jazeera Investigations team uncover the murky world of selling surveillance equipment, often to anyone willing to pay, regardless of the government, end user or final usage. Titles, subtitles, as well as all the visual effects and explainer graphic sequences are spread over 47 mins which as not an easy feat considering that there’s barely a minute free of overlays and VFX. To see the whole programme which was beautifully shot and directed by Colin MacIntyre and brilliantly edited by Nicholas Dove, click on this link.
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Commissioned by ITN Productions to help the Director, Jenny Dames relate the complexity of the Big Ben (properly entitled The Elizabeth Tower) mechanics and the scale of the four-year refurbishment project which is undergoing a four year refit.
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Channel 4’s Hugo Ward commissioned us to rebrand the channel’s flagship documentary strand ‘Unreported World’. We thought we would create a series of silhouetted figures inhabiting a diverse landscape which would attempt to suggest that the programmes were concentrating on the normally faceless figures which the news often bypasses or certainly has less time for. See below.
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We’ve provided all the elements for Coca-Cola’s conference opening film. From quirky animated characters to an environment around the circumference of a classic coke bottle; all providing the holding device for CC to celebrate their achievements during the year. [/vc_row]
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This is one of our firm favourites, being that we had a recorded interview with a street-worker and not much more to work with, as the subject needed her anonymity. We did have, however, the expert guidance and trust of Minamon Films. Great work from Lucie Julliat.
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Will Ai take my job? Well probably, but its the results of a survey that Channel 4 dispatches commissioned that we were asked to illustrate....
A mixture of quirky stop frame animations and technical social media graphics help illustrate the findings from this BBC Global Eye investigation in M...
Motion graphics for feature length documentary showing evidence of war crimes in Gaza using IDF social media posts....
Using historic air photos and new exploration technology and our graphics this documentary takes a look at the first defining act of the greatest crim...
Out with the old metallic globe and in with a simpler & more versatile look for the Big BBC Brand....
Dispatches investigate the state of the UK car market in late 2022 with rocketing prices and rocketing profits for manufacturers and dealers....
An investor with £250m to spend on a football club brings the big guns to the table and Christopher Samuelson was a big player.
